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Violence, advance technology and sex have been the containers-vats-within which the West has existed for much of the second half of the millennium.

Such combinations of violence, advance technology and sex are not only used to sell films and video games (they are the raison d’etre of Hologram Man and numerous other similar films like Digital Man, Brain Scan, Videodrome and Lawnmower Man), they also come in rather useful in shaping civilizations. Its origins in computer games like Doom 2 and Mortal Kombat are quite evident as is its love affair with digital technology, which played no small part in its production, and virtual reality. The tone of Hologram Man is set within the first ten minutes of the film: grand spectacle wrapped in grotesque violence and graphic sex. Slash but also takes care of the equally evil chairman of the Corporation. In the final encounter, Decoda not only kills Even though he is not as strong as Slash, Decoda is smarter. As is usual with such narratives, Decoda too turns into a hologram to defeat and capture his foe.

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Slash pours an artificial skin on himself and walks the earth as an electromagnetic hologram: walking through walls, changing his physical identity at will, a mind, a soul, free from the limitations of physical existence he is invincible, a man turned into god by virtual reality.

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Slash’s multicultural gang (this is a pc film!) manage to free their leader, hacking his mind and soul out of the computer, but his body is destroyed in the attempt. His body is turned into a hologram, while his brain and soul are stored in a computer to be reprogrammed. In his own evil way, Slash just wants the world be a better place and free of the Corporation that rules it and in his own legal way, Decoda too just wants the world to be a better place and doesn’t really care for the Corporation that sustains him! Slash is sentenced to the worst form of imprisonment that the future can offer: holographic stasis.

A rookie cop, Decoda, arrests a psychotic terrorist, Slash Gallagher, after a bloody encounter. It exhibits and plays with all that Western man desires, all that lies buried deep in his consciousness, and all that is steaming his restless soul. Richard Pepin’s Hologram Man is a thirdgrade film with a first-class insight into Western psychosis.

But this time the darker side of the West is bouncing back on itself. Cyberspace is turning out to be the new Other of Western civilization which is projecting all its colonial prejudices, and the images of sex and violence in which it framed non- Western cultures, on to cyberspace.

The occupation of cyberspace has direct parallels with the colonisation of non-Western cultures. But the notion of the new frontier is a mythic formulation, constructed to bring the past into an organized and reinterpreted unity with the present and emphasize how the new ‘territory’ is to be dominated and controlled in the future. From Futures 27 (7) 777-794 September 1995.Ĭyberspace is being described as the ‘new frontier’.